Monday, April 7, 2014
Friday, February 21, 2014
Cry, The Beloved Country
Although Cry, The Beloved Country displays many
examples of symbolism, the symbolism of the land is used prominently in this
novel to tie to the superior theme of family. In the beginning of book one,
Stephen Kumalo begins with a meticulous description of how he views the land
and what it means to him. In his portrayal he dexterously embeds foreshadowing
and other literary devices. Also a description of the land was used in book
two, when James Jarvis (Arthur Jarvis’s father) came to Johannesburg for his
sons’ funeral. All in all, the description of the land sets the stage for how
the duritation of the book will flow and his overall message of how sacred family
is.
In book one Paton goes in
to detail describing the land saying that “… the earth is torn away like flesh”
foreshadowing how the families are being torn apart (pg. 34). The earth, as
used in book one, is acting as if it were the people itself. Whatever happens
to the land is what is truly happening to the people. An example of the earth
being torn away like flesh is when Arthur Jarvis was torn away from his family
when he was murdered by three blacks. His family showed great remorse when he
passed by when they initiated, “Pain does not go away so quickly” (pg. 189).
This is showing how the land tells the story as well as the story its self,
reminding us how priceless family is.
Paton also says “The men are away, the young
men and the girls are away
“, denoting to how Stephen Kumalo’s family are away (pg.34). Stephen Kumalo cares greatly about his family. It says “She [Stephen Kumalo’s wife] mustered up her courage, and said, it is not from our son. [Stephen Kumalo said] No, he said. And he sighed” which indicates Stephens’ melancholy from the absence of conversation between him and his son. This gap is tearing away at Kumalo because he can literally feel the world tearing away his family destroying the sacred bond that should stand with a man and his son.
“, denoting to how Stephen Kumalo’s family are away (pg.34). Stephen Kumalo cares greatly about his family. It says “She [Stephen Kumalo’s wife] mustered up her courage, and said, it is not from our son. [Stephen Kumalo said] No, he said. And he sighed” which indicates Stephens’ melancholy from the absence of conversation between him and his son. This gap is tearing away at Kumalo because he can literally feel the world tearing away his family destroying the sacred bond that should stand with a man and his son.
Paton says “The soil cannot keep them anymore”
implying how Stephen Kumalo’s child has gone to Johannesburg leaving the
protection of the mother land (pg 34). Once he left, the land could no longer
protect him anymore. Which entailed that the land could no further act as if it
were his mother by feeding, clothing, sheltering, and fulfilling other duties
by the fruits that it had bared. In leaving the protection of his land, he also
strayed away from what Paton feels that is most essential, which is family.
All in all, the land by
its self tells the sorry. It voices the account of how families were unraveled
apart and how they were once whole. The book Cry, The Beloved Country would be incomplete without the
descriptions of the land setting the platform for the book. Paton demonstrated astute
skills by using the land as an icon for the people. Which only goes deeper in
meaning to the true gist of family.
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